The years surrounding Civil War was not just a separation of tastes politically but one in interior décor. The last part of the 19^th century in North America saw the blending of many very strong interior design tastes within one home. Many consider this to be the Eclectic period in American history. This eclectic collecting may have resulted from the easier access to more thanks to the Industrial Revolution. Machine made products kept products flowing at a much less expensive rate. Large scale manufacturers in Grand Rapids, Michigan were pumping out furniture to the common man at easy to pay for levels.

BRIEF INTERESTING FACTS FROM THE LATTER 19TH CENTURY ECLECTIC ERA-

• In rapid sequence designers birthed first Gothic then Elizabethan and finally rococo. While these co-existed in popularity in the mid-century they did not co-exist under the same roof. All three were used and admired but not blended.  
• The latter half of this century saw even more design styles, like the Renaissance style, emerge but none truly retire.
• This was the era of the kings; from France to England and from Louis to Henri.
• The big English furniture designers Chippendale, Sheraton and Hepplewhite shined brightly in the Victorian days. Colonial, Centennial Revival and Empire became common by the turn of the century.
• In large part thanks to William Morris and his Arts and Crafts philosophy and followers furniture was being influenced by far away lands like Turkey, Japan and Persia.
• Charles Eastlake agreed with Morris and Lewis Day on their discrimination against mass produced furniture and wrote a book touting the belief that home furnishings should be made by hand or machine workers that truly took artisan pride in their work.
• During these decades many felt a prejudice towards keeping it American and a cry went out to create a style distinctly American.
• Very distinct designs and designers emerged during this time and many published books that became hard and fast bibles used by designers, cabinetmakers and other furniture builders.
• Almost always if a design style became popular the wallpapers, rugs and accessories  appropriate to that style became available.
• No matter how modest the home it was believed that there should be a library, a sort of retreat for the family.

The 20^th century saw less desire for homes to be so eclectic. A yearning for something more simple in American homes was emerging. The birth of styles like Modernism had brought a sense of more efficient and less cluttered designs like the contemporary designs found from Amish-Furniture-Home.com.

Sparse, clean, oversimplified, organic and often based on geometric shapes many people, especially those who really do not understand or prefer Modern designs, would find it surprising how much of their lives are touched by contemporary Modern design or how much thinkers like William Morris, Louis Sullivan and others of their era, actually inspired the movement.

Morris engaged in the practice of warm and fuzzy, if not always practical, ideals and dreams for society. He felt it not just a wish but an essential of civilized society to insure that it provide its citizens, one and all, with aesthetically pleasing and functional things to look at and use. He however was convinced that the quality he sought could not be accomplished by machines but only by craftsmen and women by hand. He set his goal beyond reason, since the amount of artisans it would take to create the massive amounts needed to furnish the world’s homes was not possible – without machines, that is. Morris also developed this school of thought just as we were entering into the great Industrial Revolution and once entered in to there was no going back completely.

Early modern designers grasped the philosophy that the great orator Morris taught but felt that machines could be manipulated to be as artistic as any man and that mass production would accomplish Morris’ goals. Henri van de Velde was one of his peers who believed that the machines could be guided to create beauty.  They all agreed in the principles but not how to get there. They also agreed in the simplicity of design seen in the Arts and Crafts and Mission designs. The American architect Louis Sullivan, who once influenced the father of organic design, young Frank Lloyd Wright, believed that form indeed followed function and went so far as to suggest that we should purge ourselves of ornamentation for a few years so we could enjoy the structure in its original concept.

While it seems a stretch from the heavy oak Mission type Morris reclining chair to the Barcelona chair of the 1920’s once you trace the roots of both philosophy in design concepts, they are indeed closely related. Today the Amish present Modern contemporary furniture that represents these designers’ ideals as well as the elegantly designed home, in custom stained and conceived design collections like the Brookline, Caledonia, Escalade and Kenwood and more.

You’ve wisely invested in your home and lifestyle by acquiring high end Amish furniture that will last a lifetime but did you realize you can include an heirloom Amish timepiece, an alternative to traditional Grandfather Clocks, to match your décor? While still as collectible as antique clocks Amish clocks require less maintenance and have just as much visual impact on a design.

Long before computers and cell phones the most technical thing a person owned was perhaps the clock. For approximately 350 years homes have held the traditional long case clock, often called the Grandfather Clock. Although centuries have past since first designed, the Amish Grandfather tall-case clock can be a timeless focal point of your modern home’s décor that will reward you hourly.

Selecting only one is not easy since they have many designs to choose from, including clocks suited for homes styled in Mission, Craftsman, Arts and Crafts, Adirondack, Lodge, Cabin, Cottage and even West Lake. All available in American hardwoods like red oak, quarter-sawn white oak, hickory, cherry and maple; matching your décor is easy. By selecting the design, the wood and then the stain you can have a custom clock made for your home’s personal style. Do you have the rustic look of the Lodge or Cabin designs? Choose Old Country style with its hickory twig embellishments. Do you have more modern sensibilities? Design a grandfather clock in a dark cherry finish and the straight lines of the Shakers. Especially in modern, sometimes stark designs, a clock can add that touch of hominess you desire.

Amish artistry is highly recognized and sought after and as a designer cabinet clock your money is well invested. While integrity is always a hallmark of Amish craftsmanship, you should select quality timepieces as well as practical. The Amish craftsmen have designed and built solid wood Grandfather Clocks in many styles to last. People can go a lifetime with no real thought over the timepieces in their homes; not realizing a high quality clock is one of their best investments for functional, aesthetic and inheritable qualities. Sculpturally the Amish floor clock is an undisputed piece of art. Created by skilled wood artists these are not just clocks but investments, meant for a lifetime of use, to be handed down as an inherited piece like all Amish furniture.

When you think of the Amish the first things that come to mind are probably barns, quilts, and no electricity, right? While this is certainly a part of the Amish community and lifestyle, it does not necessarily mean that it is a part of their furniture design. Contrary to popular belief, Amish furniture designs cover a wide range of styles and are the perfect complement to just about any decorating style.

In fact, Amish furniture is the perfect choice for any contemporary home. Modern interior design was once thought to be bare and minimalistic in style, but today it is more accurately described as being both welcoming and comfortable without being cluttered or dark. Amish furniture is all of these things and more. What could be more welcoming or comfortable than a handmade wooden armchair with a beautiful hand-upholstered cushion?

Contemporary furniture design style calls for smooth, clean lines and neutral, geometric, or natural fiber accents. They must be simple, consist of straight lines, and have little decoration to them. These are the same design guidelines that most Amish craftsmen incorporate into their furniture pieces. Amish furniture is known for its smooth, uncomplicated lines and they are available in a variety of lighter woods, including Maple and White Oak.

In a word, Amish furniture design is contemporary! So, give Amish furniture a second look when designing or decorating your contemporary home.