Not surprisingly, Amish furniture reflects influences from historically traditional styles. They all share the elements of simplicity and functionality. However, each style is distinct and can add a different feel to your home décor. The Shaker, Mission and Queen Ann are three basic styles that influence Amish furniture.

Bungalow Chest: a display of the Shaker style

Shaker

Shakers are known for their neatness and sense of order that permeates their art, work, and daily lives. This simplicity is found in their furniture style that the Amish borrow to make things like the Brookside Shaker Bed made by Amish Furniture Home.

Shaker furniture also has a functionality quality that requires every part to have a purpose. This means that there will be no faux drawers or decorative knobs on the piece. Just look at the Bungalow Chest; every door, drawer, and knob on the piece has a utility. There are no embellishments. Shaker furniture is simple, functional. This style is also known for the dovetail joinery technique, which can be seen here.

Mission/Arts and Crafts

The Mission Style can be traced back to the late 19th Century British Arts and Crafts Movement in England. This movement was a return to craftsmanship and artistry which developed as a rebellion against ornate Victorian design and mass production of the Industrial Age. The movement is characterized by simple lines, durable materials and the irreplaceable fine craftsmanship of the human hand.

American Mission Bed

The term ‘Mission’ to describe a rustic, clean-lined style of furniture began around 1895 and is attributed to Joseph McHugh, a furniture manufacturer from New York. The first design was for a straight lined, rush-seated chair which was influenced by and used in the Spanish missions of California.

Today the Mission Style is known for its simple, straight and solid design, emphasizing linear construction, exposed joinery, andmost of all craftsmanship. Look at the American Mission Bed for an example. There are no curved lines. Even the top of the posts are straight, cornered.

Queen Anne Bed: a tribute to classic Queen Anne style

Queen Anne

The Queen Anne style of furniture originated from Great Britain in the early 1700’s. It was revived in the late 1800’s and was a little more ornate than the Shaker and Mission styles, but more subtle than the Victorian style furniture. The subtle ornate look appeals to the Amish simplicity.

The cabriole legs characterize Queen Anne furniture, as well as the fiddle backed chairs and batwinged drawer knobs. The furniture utilizes curves, but keeps them clean. The Queen Anne Bed showcases this style of furniture perfectly.

When looking for your next Amish furniture piece, consider the influences that are at work in each piece and how they will work within the décor of your home. Built by craftsmen who pass on their trade from generation to generation, these artisans are building pieces the same way that furniture makers did over one hundred years ago. These pieces truly are heirloom quality!

 The Amish arrived in America around 1730. A group of the descendants of the Anabaptists, which include Amish and Mennonites, settled near Lancaster County, Pennsylvania.  William Penn had began a ‘holy experiment’ in religious tolerance and welcomed these European immigrants. Although the most popularized, the Pennsylvania Amish are not the largest group of U.S. In fact there are Amish living in as many as twenty-four states, Canada, and Central America. Indiana, Pennsylvania and Ohio do have more than two-thirds of the Amish population.

Today’s Amish communities are as entrepreneurial as the Shakers, helping to support and build their communities using their gifts as honest artisans. The world appreciates the unique custom designs that contrast so obviously from the mass produced disposable furniture offered in most showrooms today. These solid wood designs are premium heirlooms that showcase the integrity of a community very much like their brothers and sisters in the Shaker villages.

Like the Shakers the Amish live every part of their life based on religious principles. This includes the quality of their work, whether at home or in the workshop. Today the Amish wood worker in Northern Indiana crafts the same designs with the same quality of materials and skill as their ancestors. The same principles and beliefs held by the earliest Shaker furniture designer and builder are still honored by the Amish woodworker. With traditional designs like the traditional Burlington table or the neatly lined Bungalow chifferobe, chest, bed, dresser and nightstand you can bring the same warm style to your home.

 Historians following the trends of the furniture industry can attest that furniture styles and their designers are virtual archives of an era. The economy of the time, the availability of supplies and tools and most surprising, the politics and religion of the time all influenced home décor. Religion and the organizations that formed around each group or denomination has left a deep a mark on design styles and history, particularly in America. Groups like the Shakers and the Amish have deep footprints in the sands of history and home furnishings.

The Shakers were always a small group whose self-imposed abstinence insured their demise. At their zenith the group held about 4000 members spread among nineteen self-sustaining communities. The Shakers lived the example set forth in the Holy Bible about living in the world without being a part of it. The community’s business sense was astonishing, especially for a small nineteenth century religious organization.

Although not part of the world it is obvious that Ann Lee, the group’s founder who had arrived the New World pre-American Revolution, was influenced by the Federal design style of that era. The Shakers had taken the Federal template and created a less formal and more rural design based on the needs and ideals of the farming communities they settled in. The influence of their religious beliefs and their country settings brought forth functional furniture with clean and simple lines. This was especially appealing to those who were suffocating under the opulence and gilding that was the Victorians.

The Shakers not only opened the door for the Arts and Crafts Movement in America but actually inspired some of its founders. The cousin of Arts and Crafts, American Mission and its father, Gustav Stickley, were quite possibly more warmly welcomed because of the influence of the Shaker ideals and products.

The years surrounding Civil War was not just a separation of tastes politically but one in interior décor. The last part of the 19^th century in North America saw the blending of many very strong interior design tastes within one home. Many consider this to be the Eclectic period in American history. This eclectic collecting may have resulted from the easier access to more thanks to the Industrial Revolution. Machine made products kept products flowing at a much less expensive rate. Large scale manufacturers in Grand Rapids, Michigan were pumping out furniture to the common man at easy to pay for levels.

BRIEF INTERESTING FACTS FROM THE LATTER 19TH CENTURY ECLECTIC ERA-

• In rapid sequence designers birthed first Gothic then Elizabethan and finally rococo. While these co-existed in popularity in the mid-century they did not co-exist under the same roof. All three were used and admired but not blended.  
• The latter half of this century saw even more design styles, like the Renaissance style, emerge but none truly retire.
• This was the era of the kings; from France to England and from Louis to Henri.
• The big English furniture designers Chippendale, Sheraton and Hepplewhite shined brightly in the Victorian days. Colonial, Centennial Revival and Empire became common by the turn of the century.
• In large part thanks to William Morris and his Arts and Crafts philosophy and followers furniture was being influenced by far away lands like Turkey, Japan and Persia.
• Charles Eastlake agreed with Morris and Lewis Day on their discrimination against mass produced furniture and wrote a book touting the belief that home furnishings should be made by hand or machine workers that truly took artisan pride in their work.
• During these decades many felt a prejudice towards keeping it American and a cry went out to create a style distinctly American.
• Very distinct designs and designers emerged during this time and many published books that became hard and fast bibles used by designers, cabinetmakers and other furniture builders.
• Almost always if a design style became popular the wallpapers, rugs and accessories  appropriate to that style became available.
• No matter how modest the home it was believed that there should be a library, a sort of retreat for the family.

The 20^th century saw less desire for homes to be so eclectic. A yearning for something more simple in American homes was emerging. The birth of styles like Modernism had brought a sense of more efficient and less cluttered designs like the contemporary designs found from Amish-Furniture-Home.com.

Solid built Amish bedroom and children’s furniture is the perfect foundation for creating a childhood full of Disney memories. In 1955 Walt Disney looked at a blank canvas of real estate and saw the fantasy world the globe has grown to love. Just as you were as a child your child is captured by the illusions portrayed in Disney’s cartooned universe. By digging deeply in to your imagination you can find the brilliance Disney and bring that feeling of magic home to your child by creating their very own  Disney retreat right in your home.

THEMES- Some themed rooms do attempt to draft all the Disney characters in the attempt to get the flavor of the theme park all in one room. While this can work beautifully if thought out and not too cluttered with over a half a century of characters, more impact can be created by narrowing it to one character or movie.  There are inspirational themes for even the pickiest pre-teens, such as Hannah Montana and the Jonas Brothers.

WALL COLORS -Wall colors create a canvas to build your world on. For instance, the Disney princess world is in pastels such as  pale blue, yellow or pink. Most of the male oriented Disney themes are in bright primary colors such as the reds and oranges for pirates, Toy Story, CARS, etc. Painting each wall a different color can add interest or create a bold statement with one wall differing as a focal point.  

FURNITURE – The largest piece of furniture in a room is usually the bed and the Amish have crafted beds from twin to king, along with the amazing flexibility of the convertible cribs that will last a childhood or more. Themed bedding with pirate ships or race cars are available in every major store and will tie together any theme. Creating a mysterious tent by suspending gauze or fabric above the bed for a canopy is an inexpensive way to create the mood.  Solid wood cedar chests can be treasure chests while bookcases and shelving, custom stained to match your Amish heirloom furnishings, will hold all of your Disney collectibles.

FLOOR COVERS – Use oriental rugs as magic carpets from Aladdin or a canvas rug, painted with a race track for CARS and including Matchbox or Hot Wheels for interactive play. Princess Pocohantas loves faux animal skin rugs and a Mulan themed room is easily enhanced by choosing Bamboo rugs.

WINDOWS – Window treatments should be playful but functional. Think theatrical when cutting foam board to create portals on a pirate ship or placing shutters inside the windows to recreate the Old World styling of Beauty and the Beast. Alladdin themes are beautified by hanging an Indian inspired candle lantern, with its intricate cut-outs that silhouette in the dark in a window. This same simple candle lantern can just as easily become Tinkerbell’s home. A painted on Arabic arch or a deep sea theme surrounding the window frame is simple enough for even those artistically challenged parents.

Along with your child develop and an idea of what you want the room to be. Use that vision to trigger your inner child’s imagination. Use resources to inspire you and include your child in the creative process. Before you know it you will transport your child’s room into their own happiest place on earth.

You just have to believe!

 Renting furniture seems like a viable option in a bad economy that is suffering from a credit crisis. In fact renting home furnishings is usually a losing investment in most circumstances and not an answer to no or bad credit. Investing in high end, solidly built heirloom quality furniture, if only a piece at a time, is a more stable financial decision. In some short term cases renting furniture instead of investing in permanent goods may make sense. Keep in mind this is renting with the intention of it being short term and not rent-to-own. For instance, your company has moved you to a job for a year. Even renting for home staging to sell or events can be financially sound. Instead of buying furniture that expensive movers will haul away in a few months, it very well might make more sense to rent. Mass produced furniture depreciates, while moving, packing and storage expenses keep going up. These situations are not common but do exist so here are a few tips to help educate you on renting vs. owning.

QUALITY VS. AFFORDABLE –

Even in temporary situations you don’t want to buy anything that falls apart. Rental centers are not apt to carry a handcrafted heavy duty finely built maple dining room set but are sure to have press board with photo-finish. Test out the furniture before you rent it. If it feels weak or uncomfortable in the store it will in your home.

BE A SMART CONSUMER -

When renting furniture you are entering in to a contract that is binding. Quite simply, you need to read it and understand it BEFORE you sign it. The details can haunt you and your check book for many months. How much do they require down? What is the agreed upon conditions of returning the furniture? Is there a hidden delivery fee? What is normal wear and tear? Are the items you are receiving pre-rented or new?

Even at a rental store you should be asking what the country of origin the furniture maker is located. Also ask for guarantees and return policies.

WHAT IS THE ACTUAL COSTS? –

Doe sit make more sense to buy used furniture for your short term use than to invest in renting? How many months are you staying in this situation? How much to buy a couch or dining room set? Divide it by the months you are staying and if renting is more then buy. This of course is under the condition that you can pay cash and not have to finance furniture, adding on interest. Consider even buying one good investment piece and supplementing with rental items. You will have something that is yours that makes you feel like your home.

Whatever you decide, whether it is to go all rental, all used or to supplement with one or two pieces of quality furnishings like the Amish create, stay away from rent-to-own centers. The interest rates are exorbitant but are hidden in months of payments that cause the final price to be triple its value. By the time you are done paying these mass produced items are no longer in existence. Also, if you are an apartment or house renter remember that you will be spending a great deal of income on a home and its furnishings that will not be yours. Renting may not be the answer to credit when it comes to furniture

 Since all movements are contemporary to the time they were began the term Modern furniture may seem confusing, especially when its roots go back over one hundreds. A child spawned from the functional designs and philosophies of the Arts and Crafts Movement, Modern furniture designs was as influenced by the revolution against Victorianism as it was later swayed by pop aesthetics 60 years later.

Sparse, clean, oversimplified, organic and often based on geometric shapes many people, especially those who really do not understand or prefer Modern designs, would find it surprising how much of their lives are touched by contemporary Modern design or how much thinkers like William Morris, Louis Sullivan and others of their era, actually inspired the movement.

Morris engaged in the practice of warm and fuzzy, if not always practical, ideals and dreams for society. He felt it not just a wish but an essential of civilized society to insure that it provide its citizens, one and all, with aesthetically pleasing and functional things to look at and use. He however was convinced that the quality he sought could not be accomplished by machines but only by craftsmen and women by hand. He set his goal beyond reason, since the amount of artisans it would take to create the massive amounts needed to furnish the world’s homes was not possible – without machines, that is. Morris also developed this school of thought just as we were entering into the great Industrial Revolution and once entered in to there was no going back completely.

Early modern designers grasped the philosophy that the great orator Morris taught but felt that machines could be manipulated to be as artistic as any man and that mass production would accomplish Morris’ goals. Henri van de Velde was one of his peers who believed that the machines could be guided to create beauty.  They all agreed in the principles but not how to get there. They also agreed in the simplicity of design seen in the Arts and Crafts and Mission designs. The American architect Louis Sullivan, who once influenced the father of organic design, young Frank Lloyd Wright, believed that form indeed followed function and went so far as to suggest that we should purge ourselves of ornamentation for a few years so we could enjoy the structure in its original concept.

While it seems a stretch from the heavy oak Mission type Morris reclining chair to the Barcelona chair of the 1920’s once you trace the roots of both philosophy in design concepts, they are indeed closely related. Today the Amish present Modern contemporary furniture that represents these designers’ ideals as well as the elegantly designed home, in custom stained and conceived design collections like the Brookline, Caledonia, Escalade and Kenwood and more.

Much like Gustav Stickley, a dominant influence of the Spanish settler’s furniture designs in the early colonization of America, was the lack of good tools. While, like other settlers from other countries, the Spaniards brought the influence of their home land, they were so isolated in the New World that they succumbed to native materials and primitive tools.

From 1560 through the mid nineteenth century and geographically from New Mexico, California, and Texas to Louisiana and Florida, the United States saw many influences brought from Spain. Because of the extreme isolation of many of the Spanish settlement the residents were not able to acquire the decorations for interior design that they may have otherwise used. Because of this, even the wealthiest Spaniard’s homes were considered sparse.

Priests set out to build missions with a crude set of tools that eventually wore out or broke. Because of the remoteness of their settlements these tools were not replaced. They would have to learn to craft their own devices or do without when constructing these missions. Many people from the east considered these settlements in California to be crude and primitive. These same structures would later influence great designers who brought us Mission style designs.

A prized possession of any Spanish home was the trasteras. The trasteras was a tall cabinet, often with grill work inserted in its doors, used to store valuables or even meat. The solid wood, often hand painted “trastero” or sideboard was the most traditional of Mexican furniture. This piece worked for both serving and storing.

Pine was a dominant wood of choice in most of this early furniture. Brightly colored paints set the Western furniture apart. A technique called chip carving was a standard among furniture makers in this genre, especially when built in pine. After the Santa Fe Trail more tools were made available and this style was popularized. Chip carving, or spoon carving, is a style of wood carving that utilizes knives to remove small chips of wood from the surface in a single piece.

As in the organic designs of Mission, earthenware pottery, wood, copper and iron, and even native stone was used to bring the outside in. Geraniums were often a highlight in many New Mexican homes. When Mission designs came to rescue the American patrons overindulged in Victorian gilding, the natural sparseness of the West was its influence.

There is nothing better on the eye than a custom made solid wood headboard or full bed from an Amish craftsman. Whether it is crafted from solid oak, maple, walnut, cherry or hickory a handsome bed makes a warm and welcoming bedroom environment. That said a headboard is not a necessity when it comes to a good night’s sleep. The secret to a restful night is good bedding. Carefully selecting the right bedroom mattress is an important as picking the right bed frame.

If you consider the disposability of inexpensive mattresses you will realize that you are not actually saving by having to replace inferior bedding over and over. Saggy and lumpy are not the words you want to use to describe your bed. With a lower quality and less well constructed bed you will get less comfort and definitely less support, inevitably causing physical discomfort.

Carefully measuring your bedroom before selecting your bed or bedroom suite will insure a good fit with room to actually move about. Understanding your own personal size needs will also help you determine what your needs are. A good rule of thumb is 38 inches of width per person is wise. Add 10 inches for height. A double bed is actually not truly a double when you consider that it only allows for 27 inches of sleeping space per person.

The National Association of Bedding Manufacturers has a set standard for sizes:

SMALL STANDARD TWIN:

38″-39″ X 75″

EXTRA LONG TWIN OR LONG BOY TWIN:

38″-39″ X 80″

OLD STANDARD, FULL, DOUBLE:

53″ – 54″ X 75″

QUEEN:

60″X 80″

KING:

76″X 80″

KING EXTRA LONG:

76″X 84″

CALIFORNIA KING:

72″X 84″

Queens have raised to the top of the popularity polls because it does not consume as much floor footprint but gives 20% more sleeping room than the old most popular double bed.

Another tip is to buy a mattress based on your firmness needs. A bed should support all pressure points on your body properly. It should also keep the spine, when in a reclining position, straight.

Remember to lie on any mattress before buying it, especially a foam mattress or topper. Foam should not have enough give that it is a struggle to escape from its grasp to roll over.

The Amish craftsmen have stunning pieces that shine in both craftsmanship and design. The stylings include details like mitered panels, turned bun feet, square posts and decorative adornments that only the Amish can do well.

 Art Deco-

Art Deco was born in 1925 at the Paris International Exposition and lived and evolved over a quarter of a century. Evoking images of nude nymphs, geometry-centric lines curves and shapes, early chrome and glass and caricatures of greyhound dogs, Art Deco has often been misunderstood.

Within the genre of Deco there were several sub-categories. French Deco was opulent; using exotic inlaid woods along with leather and fur. American designers adopted the symmetrical curves of French deco and included in every detail of their designs in that era, from furniture to jewelry. Modernism was hot and vinyl coverings and chrome-plated brass was in vogue.

By 1950 Deco included black wrought iron and pink accent pieces and was so massively produced it is still easily found by collectors today. Blue tinted glass top tables and “Chase” chrome were hot décor items.

Art Nouveau-

Literally translated Art Nouveau means “New Art”. This often whimsical New Art appeared in every facet of decorative arts at the end of the ostentatious Rococo period of the 1800s. There was a famous shop on the Rue de Provence called “L’Art Nouveau”. This gallery was opened in 1895 by the German art dealer Siegfried Bing in Paris and its core focus was on modern art. After the “1900 Exposition Universelle” the shop was popularized because of the displays of Bing’s modern furniture, tapestries and objets d’art. So strong was the connection between these modern decorative displays and the store that the name of Bing’s gallery became a commonly-used term for the décor itself.

Just as William Morris’s Arts and Crafts Movement did, Art Nouveau maked art part of everyday life. Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who used Art Nouveau designs to create an empire. Tiffany worked in the decorative arts but is best known for his stained glass and lamps in the Art Nouveau and Aesthetic movements.

Art Nouveau held a fifteen-year peak in the decorative arts world. It fell out of favor with the arrival of 20th-century modernist styles.

Arts and Crafts-

The final quarter of the Victorian era, the late 1800’s, saw the entrance of machines in the field of manufacturing. It also saw the revolution against in the way of the Arts and Crafts Movement. Born in Britain it soon spread to the United States via designers like Elbert Hubbard and Gustav Stickley. The Arts and Crafts Movement itself gave birth to Craftsman and Mission designs.The Arts and Crafts Philosophy subscribed to the idea of purifying art. These artisans and philosophers believed that designs should follow the function. Simplicity and craftsmanship were highly held virtues.

Expert metalworkers like Albert Berry and Dirk van Erp found a name for themselves in this genus. Their work is still sought after and collected by Arts and Crafts devotees today. Furniture in this style is usually heavy, squared, highly functional and usually made of a sturdy hardwood like oak.