There may not be a better known or more duplicated wooden chair in the world than the Windsor. The Windsor is well recognized for its bentwood back frame and its pegged legs going directly in to its wooden seat. The Windsor is differentiated from other styles of chairs because of this styling that normally are framed with an apron. 

Somewhere around the beginning of the 18th century, not surprisingly around Windsor Castle in England, this chair was conceived. Although it was the custom that chairs were crafted by cabinetmakers, this chair seems to have been crafted by turners and wheelwrights. This may indeed explain the spoke-like design of the Windsor. 

The chair in fashion at the time was the fine Queen Anne and it is likely the wheelwrights tried to fashion a chair but because of more rustic tools and skills they used the round backs and splats of the Queen Anne but incidentally created the Windsor. The English Windsor is in fact well known for its pierced slatted back. A Windsor chairs legs are invariably splayed outward and some even had the fancier cabriole leg rather than the turned. Throughout the 19th century the legs stuck into wood instead of framed with an apron. In the U.S. especially, the style began to be the front two legs only were joined in this way.  

It took no time at all for the Windsor to make its way to the New World; first appearing in Philadelphia after 1725 and within a half a century they were the most popular chair in use. The lightweight Windsor had everything a good chair required - strength, beauty, easy to construct, and highly comfortable. The variations they were created in were various and included fan, hoop, comb back, and bow back.

The chairs were usually marriages of different woods; each known for its strengths in the area it was chosen for. The turned parts worked best with maples, oaks, ash, birch or beech. The seats, shaped in a saddle were easier to carve out in pine and birch, or in England elm. The bentwood frames were best suited for birch, beech, hickory or ash. An interesting note about the recognizable saddle seat design – if you find one with a flat seat, especially with tack marks, authorities believe these were originally upholstered.

Today Amish craftsman bring sturdy and exceptionally handsome and functional Windsor chairs to grace any room in your home of office. Built from the finest American hardwoods and stained in your choice of colors, these chairs can be an heirloom treasured for generations.   

Solid built Amish bedroom and children’s furniture is the perfect foundation for creating a childhood full of Disney memories. In 1955 Walt Disney looked at a blank canvas of real estate and saw the fantasy world the globe has grown to love. Just as you were as a child your child is captured by the illusions portrayed in Disney’s cartooned universe. By digging deeply in to your imagination you can find the brilliance Disney and bring that feeling of magic home to your child by creating their very own  Disney retreat right in your home.

THEMES- Some themed rooms do attempt to draft all the Disney characters in the attempt to get the flavor of the theme park all in one room. While this can work beautifully if thought out and not too cluttered with over a half a century of characters, more impact can be created by narrowing it to one character or movie.  There are inspirational themes for even the pickiest pre-teens, such as Hannah Montana and the Jonas Brothers.

WALL COLORS -Wall colors create a canvas to build your world on. For instance, the Disney princess world is in pastels such as  pale blue, yellow or pink. Most of the male oriented Disney themes are in bright primary colors such as the reds and oranges for pirates, Toy Story, CARS, etc. Painting each wall a different color can add interest or create a bold statement with one wall differing as a focal point.  

FURNITURE - The largest piece of furniture in a room is usually the bed and the Amish have crafted beds from twin to king, along with the amazing flexibility of the convertible cribs that will last a childhood or more. Themed bedding with pirate ships or race cars are available in every major store and will tie together any theme. Creating a mysterious tent by suspending gauze or fabric above the bed for a canopy is an inexpensive way to create the mood.  Solid wood cedar chests can be treasure chests while bookcases and shelving, custom stained to match your Amish heirloom furnishings, will hold all of your Disney collectibles.

FLOOR COVERS - Use oriental rugs as magic carpets from Aladdin or a canvas rug, painted with a race track for CARS and including Matchbox or Hot Wheels for interactive play. Princess Pocohantas loves faux animal skin rugs and a Mulan themed room is easily enhanced by choosing Bamboo rugs.

WINDOWS - Window treatments should be playful but functional. Think theatrical when cutting foam board to create portals on a pirate ship or placing shutters inside the windows to recreate the Old World styling of Beauty and the Beast. Alladdin themes are beautified by hanging an Indian inspired candle lantern, with its intricate cut-outs that silhouette in the dark in a window. This same simple candle lantern can just as easily become Tinkerbell’s home. A painted on Arabic arch or a deep sea theme surrounding the window frame is simple enough for even those artistically challenged parents.

Along with your child develop and an idea of what you want the room to be. Use that vision to trigger your inner child’s imagination. Use resources to inspire you and include your child in the creative process. Before you know it you will transport your child’s room into their own happiest place on earth.

You just have to believe!

 Renting furniture seems like a viable option in a bad economy that is suffering from a credit crisis. In fact renting home furnishings is usually a losing investment in most circumstances and not an answer to no or bad credit. Investing in high end, solidly built heirloom quality furniture, if only a piece at a time, is a more stable financial decision. In some short term cases renting furniture instead of investing in permanent goods may make sense. Keep in mind this is renting with the intention of it being short term and not rent-to-own. For instance, your company has moved you to a job for a year. Even renting for home staging to sell or events can be financially sound. Instead of buying furniture that expensive movers will haul away in a few months, it very well might make more sense to rent. Mass produced furniture depreciates, while moving, packing and storage expenses keep going up. These situations are not common but do exist so here are a few tips to help educate you on renting vs. owning.

QUALITY VS. AFFORDABLE -

Even in temporary situations you don’t want to buy anything that falls apart. Rental centers are not apt to carry a handcrafted heavy duty finely built maple dining room set but are sure to have press board with photo-finish. Test out the furniture before you rent it. If it feels weak or uncomfortable in the store it will in your home.

BE A SMART CONSUMER -

When renting furniture you are entering in to a contract that is binding. Quite simply, you need to read it and understand it BEFORE you sign it. The details can haunt you and your check book for many months. How much do they require down? What is the agreed upon conditions of returning the furniture? Is there a hidden delivery fee? What is normal wear and tear? Are the items you are receiving pre-rented or new?

Even at a rental store you should be asking what the country of origin the furniture maker is located. Also ask for guarantees and return policies.

WHAT IS THE ACTUAL COSTS? -

Doe sit make more sense to buy used furniture for your short term use than to invest in renting? How many months are you staying in this situation? How much to buy a couch or dining room set? Divide it by the months you are staying and if renting is more then buy. This of course is under the condition that you can pay cash and not have to finance furniture, adding on interest. Consider even buying one good investment piece and supplementing with rental items. You will have something that is yours that makes you feel like your home.

Whatever you decide, whether it is to go all rental, all used or to supplement with one or two pieces of quality furnishings like the Amish create, stay away from rent-to-own centers. The interest rates are exorbitant but are hidden in months of payments that cause the final price to be triple its value. By the time you are done paying these mass produced items are no longer in existence. Also, if you are an apartment or house renter remember that you will be spending a great deal of income on a home and its furnishings that will not be yours. Renting may not be the answer to credit when it comes to furniture

 Sadly, the passing of Mike Tyson’s young daughter has brought to the forefront home safety issues.  Home can be one of the most dangerous places for a small child or infant and it is of major concern to safety and health officials. By following a few simple steps you can help to eliminate commonly overlooked areas in your home and increase your comfort and your family’s safety.

USED BABY FURNITURE - It is not just a sales gimmick crafted by the baby furniture industry to part you with your money. Used baby furniture may save you money but cost you injuries or even a baby’s life. A good rule is no furniture later than 1978.

1. The first step in insuring the safety of your infant is to check with the manufacturer or online to be certain that the item has not been recalled.

2. Obtain current guidelines for measurement such as distance between side rail bars. Currently they are 2 3/8 inches apart, with no large cut-outs on head and foot boards.

3. Is the paint loose or chipping and most of all child safe and lead free?

4. Cedar chests or toy chests should have hinge support to prevent the lid from slamming down on little fingers or heads.

Choosing solid wood handcrafted furniture protects your investment and your child. Solid hardwoods withstand generations of children and their teething episodes.

KITCHEN -

1. Kitchen chairs and stools should be positioned far enough away from stoves that if a toddler mounted them they could not reach hot burners or pots.

2. Have you put child locks on your pantries and custom made cupboards or cabinets?

3. Move all knives and sharp objects farther back in the drawers and cabinets.

LIVINGROOM -

1. Move all glass objects to the back of your Amish built tables. A heavy vase, object d’art or picture frame can be a deadly weapon when it’s pulled down on to a curious child’s head.

2. Cable all window shades cords and electrical cords up and away.

3. Be sure your big plasma or HDTV television is securely mounted to your custom built television stand or entertainment center. Home injuries to children have increased by a record 41% because of oversized televisions.

4. Are your bookcases secured? Solid wood bookcases are well built and steady but on carpet or uneven flooring an accident can happen. Simple wall brackets can secure any cabinet or book case.

5. Have you applied protective padding or rubber corners to your solid wood living room tables? The corners are sharp and can cause injury to a small child.

6. Have you protected your child from entering your fireplace area? Whether electric, wood or gas it is an obvious area that should never given easy access to.

BATHROOMS -

1. Amish crafted corner cabinets and bookcases make beautiful and functional bathroom furnishings to store prescriptions and toiletries in. Be sure to secure these items to prevent ingestion by a child. This includes prescriptions, mouthwashes, hair sprays, perfumes, etc.

HOME OFFICE -

1. Check for cords, whether from electrical or telephones. It is wise to unplug when not in use and wind up those cords. Dangling cords attract and easily go from playful toy to noose.

OUTDOOR FURNITURE-

1. Check for splinters that may have occurred with use and changes in the wood. While Amish outdoor furniture is finished by hand regular care and maintenance will prevent accidents.

GUN CABINETS -

1. Amish craftsmen build handsome gun cabinets complete with locking features. Remember -KEEP THE KEY HIDDEN AND AMMUNITION STORED SEPERATELY

With the passing of Memorial Day summer is officially here and so is the need to learn how to care for the solid wood patio furniture hand built by skilled Amish craftsmen. Most people assume that since it is outdoor furniture that its mere ruggedness means no cleaning or maintenance - or at best it gets its first out cleaning and its end of the year cleaning. While the high quality outdoor patio, porch and deck furniture available from Amish designers and woodworkers is made only from the best native hardwoods available it still needs care to insure your investment for many years. From chairs to tables these pieces have fantastic moisture tolerant properties and do withstand rigorous outdoor extremes, but care is still required for a lifetime of use.

SOAP AND WATER? IS IT REALLY THAT SIMPLE?  Yes, a simple bath of a mild soap and water once a week is the simplest and most inexpensive care you can give your wooden outdoor furniture. From outdoor meal residue, pollution, bird droppings and even chlorine from the pool, no matter what your furniture is exposed to the faster you remove it from the surface the less the chances of damage. Simple and often overlooked items like carbonated sodas can create a chemical reaction on even the most durable of furniture finishes.

Warm, soapy water and a lint free rag followed by a rinse of clear water to remove any soapy film residue is all you will need. Drying is always a good idea to prevent warping from too much moisture. Remember to use caution on any bare woods because the water will raise the grain. It’s also a good idea to wipe down any outdoor furniture that isn’t under a covered area even after a rain.  

TOO TOUGH FOR A BUBBLE BATH?  Many regions cannot help it; there water is full of hard minerals. If your outdoor furniture has mineral deposits from water left standing, these deposits can be carefully rubbed off with either rubbing compound or polishing compound. Remember to use care and follow directions. You will also have to give the same rubbing to the whole connected area to even it out.

Also check for splinters that may need a bit of sanding to prevent injuries or snagged clothing.

COVER IT? BUT, IT’S OUTDOOR FURNITURE!  One of the best investments you can make when deciding to decorate your patio or deck with wood patio furniture is in patio furniture covers. Good quality patio furniture covers are made of synthetic material and can literally add years to your furniture items. They are available in standard sizes, or you could have them custom made for your furniture and can be found in decorative colors. No matter how sturdy and durable your Amish furniture and its finish is adding additional protection from the elements, such as sunlight and water, two of the most destructive elements for wood, is a smart consumers choice.

Solid custom built wooden patio furniture is definitely the biggest statement you can make this summer. Since you were smart enough to invest in the best it is also smart to be responsible for this furniture. If covers are not an immediate option when furniture is not in use then consider moving pieces indoors, especially for long term storage.

Many theories hold that Colonial American architect Peter Harrison (1716-1775) may have influenced the popularity of porches. Harrison’s travels and education in Europe and studying Italian architecture may have inspired him to study the Palladian movement. From this the Palladian porticos came in to vogue. The term “Palladian” is usually used in reference to buildings in a style inspired by Andre Palladio’s work, circa 1508-1580. His original ideas have evolved in to what we see today. Palladio’s concepts were strongly based on the symmetry, perspective and values of formal classical architecture found on Roman and Ancient Greek temples.

Because he was one of a kind in many ways, the evidence of his journeys may be documented in the wake of porches in his path. No builder was seen to travel the New World as much as Peter Harrison so it is logical to assume he influenced structures along his routes. It seems that everywhere there were well traveled waterways there porches were built, suggesting that the architect carried his ideas from dock to dock.

While it is impossible to credit one man for a country wide sweep of an outdoor room there is always the desire to accredit. While Harrison obviously had a widespread influence other cultures and peoples also may have increased the idea of adding an open room to the outside of a home. The British, French and Dutch settlers all enjoyed porches. Only the Spanish held to the haciendas with indoor courtyards, not out. Some consider the influence of ships bringing ideas from the West Indies, with its large Caribbean plantations and their verandas.

Since Louisiana’s lower Mississippi River is known for its porches, this could make one consider that the French may have played a part in porches in the South. Since the French were not settled in every colony or part of the country it is highly unlikely the spread of porches to all areas of the country except New England was caused by them. Even more thought on the origins of American porches leads us to it being an African concept, since slaves were building the new country and were found working in all the areas porches were found. Perhaps African and even Haitian customs helped to grow the outdoor room idea.  

While no one is certain exactly what caused such a love of porches it is still notable that Peter Harrison did have a great influence on the addition of porches to old and new homes in America despite his never truly adapting to America as his home. British by birth Peter Harrison was loyal to the crown, eventually bringing ruin to him during the chaotic years of the American Revolution. His collection of original drawings were burned in an act of terrorism by a band of revolutionists shortly after his death.  His work was never catalogued for posterity and thus lost.

 Patio furniture has been popular for hundreds of years. As trendy as outdoor rooms are today they were possibly even more elegant a few hundred years ago. Porticos, porches, piazzas, terraces and gazebos were the rage in the late eighteenth and early nineteenth centuries.

A portico is a porch or walkway with a roof supported by columns, often leading to the entrance of a building. George Washington added a full length portico to Mount Vernon in the late 1700’s. It was a 94 foot piazza, a term quite commonly used in that era. In fact a piazza originally was an Italian design for a public square with room for pedestrians.

The Washington family did not have the availability of Amish crafted patio furniture but they did furnish their outdoor patio room with thirty Windsor chairs. Painted Windsor chairs where often used as outdoor patio furniture. In true Grecian style the Washingtons took tea outdoors.

Nowhere was the porch made as famous as in the South. Southern plantation home builders included massive wrap around porches that enjoyed the cool of the evening on a sweltering Southern night.

By the mid-1800’s porches on any size American home was common place. Large eighteenth century British homes had always had terraces to view their gardens from but soon they fell into the American porch fashion. Terraces were uncovered and often the garden held a gazebo for resting and enjoying the flora and fauna. Since gazebos were for the rich the idea of adding a porch to the home allowed even the commoner to enjoy the garden.

More United States presidents than George Washington are famous for their use of the porch. William McKinley ran for office from what appeared to be his front porch in his same named “front porch campaign”.

Traditional furniture, like the designs crafted by Amish wood workers of today, would not seem what it is if not for the name Sheraton. Englishman Thomas Sheraton authored and published the most important trade catalogue, “The Cabinet-Maker and Upholsterer’s Drawing Book”, in the latter eighteenth century. For better or for worse this book was so well received and extolled that it caused much of the traditional designs of that period to be accredited to the furniture designer and journeyman cabinetmaker, Thomas Sheraton.

Every artisan has some sort of mystery or secret and Sheraton was no exception. While he is credited as one the three biggest designers of his time, there is no evidence he actually ever owned a workshop. In fact, there is no evidence that he ever made large amounts of any type of furniture, including those he drafted out in his famous book. Sadly, Sheraton passed away at age 55, having been employed as a journeyman cabinet-maker for many years and later an author, leaving his family in “distressing circumstances”.

Thomas Sheraton is recognized to have provided the world with exquisite draftsmanship and technically important information when he designed his catalogue. He had a knack for focusing on the details that was so often missed by other author’s design books. Influenced by French designs, Sheraton’s mind was drawn to the geometry and the precision of Louis XVI. Sheraton also enjoyed the use of satinwood in his furniture and many pieces built in the late 1700’s using satinwood were blamed on or credited to his design theories. He did believe that for his large library tables mahogany was the preferred wood.

Sheraton published again. In 1803 he completed The Cabinet Dictionary but he never finished The Cabinet-Maker, Upholsterer, and General Artist’s Encyclopedia. Only one volume was published in 1805, a year before he passed away.

 Since all movements are contemporary to the time they were began the term Modern furniture may seem confusing, especially when its roots go back over one hundreds. A child spawned from the functional designs and philosophies of the Arts and Crafts Movement, Modern furniture designs was as influenced by the revolution against Victorianism as it was later swayed by pop aesthetics 60 years later.

Sparse, clean, oversimplified, organic and often based on geometric shapes many people, especially those who really do not understand or prefer Modern designs, would find it surprising how much of their lives are touched by contemporary Modern design or how much thinkers like William Morris, Louis Sullivan and others of their era, actually inspired the movement.

Morris engaged in the practice of warm and fuzzy, if not always practical, ideals and dreams for society. He felt it not just a wish but an essential of civilized society to insure that it provide its citizens, one and all, with aesthetically pleasing and functional things to look at and use. He however was convinced that the quality he sought could not be accomplished by machines but only by craftsmen and women by hand. He set his goal beyond reason, since the amount of artisans it would take to create the massive amounts needed to furnish the world’s homes was not possible - without machines, that is. Morris also developed this school of thought just as we were entering into the great Industrial Revolution and once entered in to there was no going back completely.

Early modern designers grasped the philosophy that the great orator Morris taught but felt that machines could be manipulated to be as artistic as any man and that mass production would accomplish Morris’ goals. Henri van de Velde was one of his peers who believed that the machines could be guided to create beauty.  They all agreed in the principles but not how to get there. They also agreed in the simplicity of design seen in the Arts and Crafts and Mission designs. The American architect Louis Sullivan, who once influenced the father of organic design, young Frank Lloyd Wright, believed that form indeed followed function and went so far as to suggest that we should purge ourselves of ornamentation for a few years so we could enjoy the structure in its original concept.

While it seems a stretch from the heavy oak Mission type Morris reclining chair to the Barcelona chair of the 1920’s once you trace the roots of both philosophy in design concepts, they are indeed closely related. Today the Amish present Modern contemporary furniture that represents these designers’ ideals as well as the elegantly designed home, in custom stained and conceived design collections like the Brookline, Caledonia, Escalade and Kenwood and more.

Much like Gustav Stickley, a dominant influence of the Spanish settler’s furniture designs in the early colonization of America, was the lack of good tools. While, like other settlers from other countries, the Spaniards brought the influence of their home land, they were so isolated in the New World that they succumbed to native materials and primitive tools.

From 1560 through the mid nineteenth century and geographically from New Mexico, California, and Texas to Louisiana and Florida, the United States saw many influences brought from Spain. Because of the extreme isolation of many of the Spanish settlement the residents were not able to acquire the decorations for interior design that they may have otherwise used. Because of this, even the wealthiest Spaniard’s homes were considered sparse.

Priests set out to build missions with a crude set of tools that eventually wore out or broke. Because of the remoteness of their settlements these tools were not replaced. They would have to learn to craft their own devices or do without when constructing these missions. Many people from the east considered these settlements in California to be crude and primitive. These same structures would later influence great designers who brought us Mission style designs.

A prized possession of any Spanish home was the trasteras. The trasteras was a tall cabinet, often with grill work inserted in its doors, used to store valuables or even meat. The solid wood, often hand painted “trastero” or sideboard was the most traditional of Mexican furniture. This piece worked for both serving and storing.

Pine was a dominant wood of choice in most of this early furniture. Brightly colored paints set the Western furniture apart. A technique called chip carving was a standard among furniture makers in this genre, especially when built in pine. After the Santa Fe Trail more tools were made available and this style was popularized. Chip carving, or spoon carving, is a style of wood carving that utilizes knives to remove small chips of wood from the surface in a single piece.

As in the organic designs of Mission, earthenware pottery, wood, copper and iron, and even native stone was used to bring the outside in. Geraniums were often a highlight in many New Mexican homes. When Mission designs came to rescue the American patrons overindulged in Victorian gilding, the natural sparseness of the West was its influence.